Eye movement patterns

Eye movement patterns - what do they tell us about us!

Eye Movement Patterns NLP Training Hannover Hameln Hildesheim

People usually have a particularly pronounced representation system. They prefer to use it.

This representation system wird nach einer Frage zuerst aktiviert. Es wird Leitsystem genannt. Wie Menschen sich ihre Informationen holen, lässt sich auch über die Augenbewegungen nachvollziehen. Die Augenbewegungen (Eye-Patterns ) are the accessing cues ( Accessing Cues ). They show the leading system currently in use.

The Eye movement patterns  sind intra-individuell konstant. Von Menschen zu Menschen sind jedoch Abweichungen möglich. Im Allgemeinen sind folgende Zugangshinweise bei typisch organisierten Rechtshändern gut zu beobachten.

Important: Eye movement patterns  zeigen, wie jemand denkt, nicht was jemand denkt.

Eye movement patterns - which ones are there?

V is - visually remembered
The eyes look up to the right. the person has access to images they already know.

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V k - visually constructed
The eyes look up and to the left. The person has access to images they have never seen before. They are re-imagining the images.

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V – visualizes
The eyes look straight ahead. The gaze is rigidly defocused. It is not recognizable whether the images are remembered or constructed.

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Aa – auditory remembered
The eyes look center right. The person has access to remembered sounds, noises, and voices.

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Aa – auditory constructed
The eyes look center left. The person has access to sounds, noises, and voices. They are re-imagining them.

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Aid – internal dialogue
One looks down and to the right. The person hears their inner voice, which is used for thinking.

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K – kinesthetic (feeling)
The eyes look down and to the left. Access to information that one can feel or sense.

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NLP Eye Movement Patterns - What Else to Consider!

For left-handed people, the eye access cues are usually mirrored.

A murder suspect is asked where he was at the time of the crime. His gaze wanders to the upper left (visually constructed). Is he inventing an alibi?

No! He imagines his furiously raging wife. What will she do when she knows about the lover. Not guilty!

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